The Purple Fox — نكتب من بين الشقوق

I am Free… and Yet I Die: An Elegy for Fertility and Existence

67

  • Farah Ali
    Writing

    Farah Ali

    Researcher in Philosophy and Psychology
  • Iqbal Obeid
    Translation & Review & Proofreading

    Iqbal Obeid

    Writer and translator from Kuwait, specialized in the field of translation and publishing
  • Alaa Hassanien
    Directing & Design

    Alaa Hassanien

    Poet, cultural journalist, and film critic of Egyptian descent, raised in Saudi Arabia and based in France

“But she belongs to a world where the most beautiful things have the worst fate.”
– François de Malherbe, “Consolation to Monsieur de Périer”

May I ask the reader’s pardon for the bleakness, stripped of hope’s comforts, that these pages may contain? I have never known truth to ask permission or adorn itself before being spoken. Truth is not always a shining lamp, nor does it often comfort the soul or satisfy desire; its first duty is simply to be true. If this essay seems dark, it is because it confronts an aspect of life that is rarely faced without evasion.

There is a particular cruelty inscribed in a woman’s fate, a cruelty born neither solely of social oppression nor solely of nature’s indifference, but of the silent collusion between the two. She is born carrying within her the power to create life, yet that very power is governed by a hidden clock that never ceases to count. As she moves through life, time begins to whisper that some doors do not close because the hour has come, but because they were left open for too long.

The paradox is that contemporary society, the very society that asks women to wait, to be patient, and to fulfill endless conditions, is the same society that condemns them once they discover that time has not been waiting with them. A woman thus finds herself caught between two opposing forces struggling over her body and her future: one urging postponement, the other punishing her for it. Yet the deeper tragedy lies in the sudden realization that life is not an inexhaustible reservoir of possibilities, nor can it be reduced merely to the decline of fertility.

At this point, the question shifts from biology to existence: how does one live after realizing that age is not a river of endless possibilities, but a path along which possibilities disappear one by one? And how does a woman see herself when society urges her to be free, while nature reminds her each day that freedom itself is finite?

Woman and Biological Time: The Tragic Face of Modern Freedom

We are joyful only insofar as our life extends in ever-widening circles, carried by the rising flow of our earliest impulses.”
– Herbert Read

The woman of today lives within a conception of time burdened by the voices of others: voices speaking of achievement, motherhood, lateness, missed opportunities, and fulfillment. Time thus ceases to be a natural dimension of life and becomes an internal dialogue that constantly watches her from within. As a result, she no longer experiences it authentically or in harmony with herself.

From this perspective, the anxiety surrounding fertility is more than a biological reality. It emerges as a complex psychological representation in which the image of the body as the woman perceives it, the image society expects, and the image reflected in the gaze of others become inseparably intertwined. From this entanglement arises the feeling that freedom itself is bounded by invisible limits, like a delayed inner call that never falls silent.

Yet what knowledge-practical or otherwise-that we claim to possess can truly describe the alternative?

Is it even worth the effort?

The possibility of psychological work, then, lies in untangling these overlapping voices, allowing a woman to distinguish her own desires from those that have been imposed upon her. Much of contemporary suffering, in this context, lies not in time itself but in the confusion of voices that inhabit it. As these voices gradually become distinct, anxiety loses its absolute authority, making it possible for the self to inhabit its own time authentically—as a space in which to reshape the meaning of the body, the meaning of choice, and even the meaning of lateness itself.

The Imagined Wound: A Critique of Reducing the Body to Fate

“The only thought that accords with truth is the one that has never found anyone to contain it.”
— Wilfred Bion

The feminine wound unfolds across several stages: menstruation, the loss of virginity, childbirth, and finally menopause, a final and decisive loss marked by the disappearance of fertility and its visible signs, the withdrawal of the possibility of motherhood, the closing of the fertile womb, and perhaps even the unsettling question of whether the very source of desire still remains. What identity, then, is left to the woman?

This is indeed a legitimate evolutionary and existential tragedy, one whose weight should not be diminished by easy optimism, nor dismissed as merely the product of an unjust cultural construction. Yet this understanding, despite its material force, carries within it a fundamental philosophical problem: it reduces the body to a fixed destiny and feminine experience to a narrative of gradual loss. The wound lies not in the body alone, but also in the way it is represented within social and cultural discourse. a discourse that burdens the body with the meaning of absence and unfulfilled completion, binds identity to a single biological timeline, and turns life into a countdown rather than an accumulation of experiences and meaning. If woman is defined solely by her fertility, then every bodily change inevitably comes to appear as a form of collapse, an open wound, rather than as a transformation within feminine experience – a continuous unfolding in which one state gradually gives way to another.

Time as Duration and Being: Bergson and Heidegger on Feminine Experience

“Human existence is a fabric of the actual and the possible, woven upon the loom of time.”
— Martin Heidegger

In conclusion, the conceptions of time offered by Henri Bergson and Martin Heidegger may be invoked as a way of tempering the harshness of biological reality. For Bergson, time is understood as duration-an inner continuity through which the self is formed from within, where past and present merge into a single, uninterrupted flow that cannot be reduced to external, chronological measurement. This understanding is further enriched by Heidegger, for whom time becomes the horizon of being itself and the fundamental structure of existence. Human beings are thrown into the world as beings oriented toward their own finitude, making time the very condition through which being is disclosed.

Within this horizon, feminine experience may be understood as a movement within authentic time. It is not merely a biological process governed by growth and decline, but an open inner movement through which desire and consciousness continually recreate the self in ongoing resistance to the notion of a completed ending. At the intersection of these two philosophical perspectives, time becomes the space in which the feminine self takes shape—a living project that unfolds between the flow of life and the disclosure of being at its furthest horizon.